Shakira’s Las Mujeres Ya No Lloran World Tour Sets New Global Records

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Colombian superstar Shakira is making history with her Las Mujeres Ya No Lloran World Tour, which continues to break records and expand into new territories in 2026. This sprawling global tour — in support of her twelfth studio album — has already become one of the most successful live music events in history, drawing millions of fans and rewriting touring records for Latin artists.

Since launching in February 2025, Shakira’s tour has captivated audiences across Latin America and North America with spectacular stadium shows featuring her biggest hits alongside powerful messages of empowerment and cultural celebration. The tour built momentum rapidly, selling more than 3.3 million tickets through 82 stadium dates and grossing over $421.6 million, a total that officially earned it a Guinness World Record for the highest-grossing Latin touring artist of all time.

Shakira’s achievement doesn’t just mark success for her personally — it represents a major milestone for all Hispanic and Latin music artists, topping previous records held by icons such as Luis Miguel and Bad Bunny and placing her among the world’s most influential touring performers.

As 2026 unfolds, Las Mujeres Ya No Lloran is entering a new phase of international expansion, with confirmed concert stops across Europe, Asia and the Middle East. Fans outside the Americas have eagerly anticipated these dates, especially in regions where her music has seen viral success — such as Japan, where the popularity of her song “Zoo,” featured in Zootopia 2, helped pave the way for Asian tour dates.

Among the most exciting upcoming shows is Shakira’s first-ever concert in Jordan, scheduled for March 28, 2026, in Aqaba — a landmark moment that highlights how far the tour has reached beyond its initial markets and reflects her enduring global appeal.

This continued expansion is part of a carefully planned international leg that includes stops in major cities across Asia — from Manila and Bangkok to Taipei, Hong Kong and Shanghai — before heading into Europe later in the year. These dates come on the heels of massive demand in the U.S. and Latin America, where multiple shows sold out quickly, prompting additional concerts and extended runs in stadiums.

The tour’s success is also a testament to Shakira’s ability to connect with diverse audiences worldwide. Songs like “BZRP Music Sessions #53,” “TQG” and “Monotonía” have become viral hits across streaming platforms, further boosting ticket demand and reinforcing her relevance across generations of fans.

Critically, the tour has been praised not only for its commercial impact but also for its production quality and emotional resonance. Visitors to shows rave about the high-energy performances, elaborate choreography and the way Shakira blends her classic catalog with newer material that reflects her personal and artistic evolution.

As attendance figures continue to climb and new cities are added, the Las Mujeres Ya No Lloran World Tour is poised to surpass the half-billion-dollar mark in total gross earnings before it concludes later in 2026. This achievement would firmly cement Shakira’s place among the most successful touring artists of the 21st century, spanning continents and musical cultures alike.

For fans around the world, this tour isn’t just a series of concerts — it’s a cultural moment that celebrates cross-border connectivity, female empowerment and the universal language of music, proving that a decades-spanning career can still reach new heights on the world stage.

Farida Melville

Farida Melville is a seasoned journalist with a passion for uncovering stories that matter. With over 10+ of experience in the industry, they have covered a wide range of topics including politics, business, entertainment, and more. Their writing has been featured in several prominent publications and they have won numerous awards for their work. At London Times Now, Farida Melville brings their expertise to bear on the latest news and trends coming out of London and beyond.

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